State of the Practice Set

Neale Pickett |

It’s about time for a summary on where the set is right now.

A dark photo of my set

I’ve played this set in seven US states, and two Irish counties, in the mountains and at sea level, in the desert and near the ocean. I’ve played it (poorly) in front of dozens of other pipers, many of whom have tried it out. It’s gotten nods of approval from some big name Uilleann pipers, whose names I am not going to drop. Almost universally, everybody immediately understands the value of an affortable set for beginning players.

While many reeds I’ve tried in my chanter play quite sharp, the chanter was perfectly in tune using the reeds and chanter a friend made in the NPU pipemaking classes. This means NPU’s pipemaking class reeds and chanters are compatible with my chanter, and with the reeds and chanters David Daye makes. I suspect this is evidence that all three designs are based on Rowsome chanters. The Rowsome chanters have a reputation of being sharp: maybe everything else is flat.

Overall the thing plays at this point, and it plays pretty well. For the first time in three years I’ve got an instrument that works well enough that I can start practicing. Unfortunately, three years designing the instrument doesn’t translate to being a better player.

Things I want to improve